Monthly Archives: February 2006

“Shine, Perishing Republic” by Robinson Jeffers

While this America settles in the mould of its vulgarity, heavily thickening
    to empire,
And protest, only a bubble in the molten mass, pops and sighs out, and the
    mass hardens,
I sadly smiling remember that the flower fades to make fruit, the fruit rots
    to make earth.
Out of the mother; and through the spring exultances, ripeness and decadence;
    and home to the mother.

You making haste, haste on decay: not blameworthy; life is good, be it
    stubbornly long or suddenly
A mortal splendor: meteors are not needed less than mountains:
    shine, perishing republic.
But for my children, I would have them keep their distance from the
    thickening center; corruption
Never has been compulsory, when the cities lie at the monster's feet there
    are left the mountains.

And boys, be in nothing so moderate as in love of man, a clever servant,
    insufferable master.
There is the trap that catches noblest spirits, that caught -- they say --
    God, when he walked on earth.

1925

Lilliput

Lilliput is a very short DV film about the Lilliput robot. Manufactured in the 1940s, the Lilliput robot is believed to be the first mass-produced robot toy in Japan. The Lilliput in Lilliput is a replica and yes, he/she/it does have a hard time walking. That, however, is the Lilliput’s charm.

Besides being about a Lilliput, the idea behind shooting the film was to try some lighting techniques. Boo-beep-boop.

Kettle Kittens

In answer to “Luppie”, the log and a puppy, I present Kettle Kittens. While both find common ground with their nod to domestic pets, they are also starkly different. Like electrum, a Luppie is a kind of alloy, an alloy of a log and puppy (not a dog-log or a log-dog). However, Kettle Kittens is not an alloy, but rather a divide, or even the divide, like space and time, realism and naturalism, or Chloë Sevigny and Kate Beckinsale. In total, Kettle Kittens is a very short DV film about a kettle cut off from irresistible kittens. I pray that Kettle Kittens wins Sundance. If it doesn’t, all I can say is what do they know of kettles and kittens or the magnifco “Luppie”?

Nada 
el 
gato 
woof 
woof.

For Kettle Kittens, Tim manned the camera and did the editing, and I wrote the music and the story/plot line. The film was shot on the same camera we will be shooting The Green Machine on.

The Green Machine – Cast

I’m happy to announce that we have cast Ameviathan: The Green Machine. Matt Folker will be playing Jonathan, Jen Friedman will be playing Cecily and Stephen Young will be playing Roy. Not only are the actors perfect for the parts, but judging from the auditions, we’ve been afforded an incredible opportunity to work with some real talent. I can’t wait to film.

I would also like to extend special thanks to John Schratwieser, Executive Director of the the Prince Threatre in Chestertown, Maryland, who allowed us to hold our auditions in the historic Prince Threatre. Originally a vaudeville theatre and movie house, the theatre was a beautiful place in which to hold our auditions. I would also like to thank the staff of the Prince Threatre for toughing out the blizzard, and Matt Folker for recommending we hold our auditions there. Next time I’m in Chestertown, I’m catching a show and scrutinizing that Zebra-man at the door.

And of course, where would the auditions have been without Dick and DJWebb, ‘crew’? Nowhere. Thanks for driving, eating subs and talking about lighting and the ‘Bury.

Harness the Wind

When Mike and I first moved into the house we currently live, we were recording a lot of music. Most of the tracks we haven’t put up on the site yet. A lot of them were for an aborted project called “Night Caller.” It originally started out as one song, then it grew a sequel, and in true “Mike” fashion it spiraled out of control into a 12 song concept album. Needless to say, that fell apart.

That however is not the story of this post. This post is about the song that ruined music recording for me. I haven’t recorded a song since this albatross of a song landed 9 months ago.

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