When Syd Field writes, “Writing is a personal responsibility; either you do it or you don’t. Do it” (204, Workbook), it is hard to tell who he sounds more like, Yippie activist Jerry Rubin and his “Do It” manifesto or a soapbox-Stan Lee and his Spiderman moral, “With great power, comes great responsibility.” Wherever you position Field on the spectrum ranging from manifesto to downright silver-surfing-cheese, one thing is for certain: when it comes to the how-to’s of scriptwriting, no name shines brighter and more blinding.
What launched Field to the front in how-to’s of scriptwriting was his book Screenplay: The Foundations of Screenwriting, published in 1979. At the time it came out, it was one of the first notable books aimed at the everyman to deal with scriptwriting, and as a result it became somewhat of an institution. Like any institution, it is today loved as much as it is reviled. Certainly timing played into the book’s success, yet it does lay out one tried and true blueprint of screenplay writing – a blueprint that many have acknowledged, albeit grudgingly. Field’s name is so ubiquitous when it comes to screenwriting that today he is name-checked even in the most vacuous of wastelands, such as the June 2005 issue of Maxim. On page 56 snuggled between booze ads and pages of bikini girls glossing tips on golf and car-racing, screenwriter David S. Goyer, credited with the story of the 2005 summer blockbuster, Batman Begins, directed by Christopher Nolan, gives advice to budding screen scenarists. The guidance comes in six bat-bullet points and, excluding the last (some sort of frat-meta-speak about a tough scrotum undoubtedly written in by a Maxim staff writer to placate the target audience), appears to be lifted right out of the pages of Field’s book.
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