Disturbing Images: The Story of Helmut K. (2006), directed by Sean McKnight, paints the portrait of the artist who is questionably consumed by fires his art ignites. Previously a schlock filmmaker, Helmut K. turns to the world of photography in search of his muse. When some of Helmut K.’s photos of scantily clad young men and religious imagery come under attack from a right wing religious group led by Byron Lloyd, rather than shy away, Helmut meets the challenge by adorning his best ring-leading hat. “Be, like the monkey,” chants Helmut K. throughout the circus that boils around him. And it is such a hypnotic circus that Helmut’s art takes back seat to his outrageous performance.

Norm Macera as Helmut K.
Disturbing Images: The Story of Helmut K. balances artiness with comedy and philosophy for one entertaining ride. In the following interview, the film’s director, Sean McKnight, gives some of his insights into the film and the making of it.
For more information on Disturbing Images: The Story of Helmut K. visit the Cinema Alliance website.
Interview follows.
In the opening shot of Disturbing Images: The Story of Helmut K. the viewer can see a microphone and the back of the head belonging to someone who is presumably a crew member, if not a person meant to represent the filmmaker him/herself. Throughout the film, similar acknowledgments of the artifice of the fiction of the film occur. Was this something that was in the screenplay, or something that you chose to do as director?
McKnight: The film crew is mentioned briefly in the script but I wanted to
emphasize and expand that concept a bit more as a way of telling the story. I think one thing that’s important from a director’s standpoint is to place a lot of emphasis on how you tell the story. While reading the script for DI, a documentary approach to it just made sense.
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