What Price Hollywood (1932), directed by George Cukor and starring Constance Bennett, has a number of fascinating dissolve sequences. The first occurs when Bennett’s character Mary Evans is shown dreaming of fame in Hollywood. In a close-up, Mary repeatedly raises her head amidst glittering flashes, when a smaller full figure version of Mary is superimposed. In doubling images, a star is born 1, and a smaller Mary grows in stature as if released from her own magical Academy Award capsule.
Based loosely on silent star Colleen Moore’s experiences in the picture business, What Price Hollywood, written by Adela Rodger St. Johns, is frequently cited as the original story for the later versions of A Star is Born, released in 1937 (Janet Gaynor), 1954 (Judy Garland), 1976 (Barbara Streisand), and 2018 (Lady Gaga). David O. Selznick, the producer of What Price Hollywood, approached Cukor to direct the 1937 version, but Cukor declined as the plots were too similar. RKO thought so too and considered a lawsuit. Ironically, Cukor directed the 1954 version. ↩