Not that any of this is a huge deal, but somewhere in the validation universe it’s gotta count for something.
It’s night and I’m in a forest with Tim waiting for him to get his gear ready so we can record a wilderness soundscape for a movie we’ve been working on called Young Goodman Brown. Adapted from Nathaniel Hawthorne’s short story of the same name, the movie has been an unexpected one-off. Shot on a Panasonic DVX 100 and its sound mixed and recorded on a separate unit, Young Goodman Brown has given us the chance to gauge what our technical capabilities will be coming into the rapidly approaching Ameviathan: The Green Machine. As is always the case though, the one-off has taken on a life of its own.