It is now pushing 2 a.m., and I have to help Tim move tomorrow. For the past hour I’ve been dealing with an issue with Compressor. The problem is finally fixed, and Kettle Kittens II has been exported.
With the exception of the lead instrument, me on melodica, the song was made from stock sounds in Soundtrack Pro.
I would also note that the strobe is not an FCP effect, but a crank emergency flashlight I have.
Kettle brew those kittens.
If Backyard Wrestling was the call, then Backyard Birds is the response.
Starfallen is about the kidnapping of the Cave of Trouble’s band manager. Really. It dates from 2003 (maybe).
We came across the artist Alexander Louis Grass posting on Craigslist1. I conducted the following interview with him.
What are your influences?
That’s too hard, man. That’s too hard. You can’t ask a question like that. Well, when I first started, I had the rock ‘n’ roll and acid jazz base that most people did. Jimi Hendrix, Jaco Pastorius, Black Sabbath, Mahavishnu Orchestra, 10 Years After. Â Black Sabbath was a huge influence on me, and from there I really delved into heavy metal. I’m not really headed in that direction at all any more (metal, that is), but I’m very thankful I put the time and effort into learning the licks and the history. It’s important. All that minor key stuff, the staccato and legato and subtle hints of classical music, that’s all very important in developing a sense of dynamics. Which is why I’m a huge fan of Tool, as most people with any sense are. Randy Rhoades and Cliff Burton left an indelible imprint on my brain. Especially Cliff Burton. No other bassist has influenced the way I learned about music the way that he did. Les Claypool is great, too, although I was always a fan of his more commercial stuff. I really loved the Primus album produced by Tom Morello. I love Iommi’s more obscure stuff from Sabbath, like “Tequila Sunrise” or “Changes.” I mean, I couldn’t really tell you ALL of my influences, but there is definitely a source. Middle eastern music means a lot to me as well. I lived in Israel for a while, and the different modes they use are just so unconventional. It’s so boring to stay in that little pentatonic box, especially when you’re writing. My influences are too great to name. I just try and pay attention to good songs and great musicians. I try to imagine their thought process in coming up with what they did. I try to put myself in their shoes. Otherwise, if I hear a cool sound, I’ll put it in my memory bank to use later on.
Marah, The Shalitas and Adam and Dave’s Bloodline – 12.07.07, TLA, Philadelphia, PA
I would ask that our readership consider the following review a late Christmas present. It is for a show that occurred over a month ago. However, without making excuses, as we all know, coming in and out of the holidays is always a rather hectic affair. Marah’s annual Christmas show at Philadelphia’s Theatre of the Living Arts (TLA) this year was no different.
The show, attended by a surprising amount of children, found guitarist/singer Dave Bielanko in somewhat of a bad mood. Failing equipment, and particularly Dave’s guitar, plagued the band throughout the show. Equipment tension came to a head when Dave went so far as to throw and curse his guitar. Later, he would make a serious appeal to the audience that if they had money, to please send it the band’s way so that they could buy better equipment.
Bum gear didn’t seem to phase the rest of the band’s festive spirits. When Serge Bielanko leaped off the stage into the audience, taking half the Christmas lights and equipment with him, all Dave could do was look bewildered and mutter, “What the fuck is going on?” The band’s set was quite lengthy, filled out with Christine Smith, pensive keyboards, and Adam Garbinski and Dave Petersen giddiness from their earlier performance with Adam and Dave’s Bloodline. Marah would also be joined by opening act The Shalitas for several songs.
Click here for photos of Marah.
In this continuation of *Street Corner*, two men talk on the *aforementioned* in Trenton, NJ.
Joe and I are working on a comic.
Here’s a sneak peek.
Two men talk on a corner in Trenton, NJ.