Movie Roundup for January ’24

The most memorable films I saw this month were:

I only got to the theatre once and caught Poor Things (2023), which has received more praise than it deserves. The performances and costumes were great, but at some point, it was like a record on repeat in the middle, and I had a hard time differentiating between it and Erin Brown’s body of work as Misty Mundae. This isn’t to suggest I didn’t enjoy it; I did, but probably for the wrong reasons. At the mainstream level, it’s the type of filmmaking that breeds faux-progressiveness when, on closer inspection, it’s not progressive at all. Even without my blessing, I’m positive it will do just fine at the Oscars.

Casandra Cat was the first film of the new year that grabbed me—also known as When the Cat Comes, it was among the bizzaro curation that Criterion Channel led Jan. ’24 with devoted entirely to cats and cinema. An exemplary movie of the Czech New Wave, the film is filled with ruptures, dance, color, and magic. It’s not going to be for everyone, but I’m also that person who is telling you that Poor Things is overrated and will be protesting this year’s Oscars by watching Barbie on Blu-Ray instead; so, you know, take my words with a grain of salt.

Decision at Sundown (1959) came in the way of a gift from my brother, who gave me the Ranown collection of films for Christmas: a group of late 50s/early 60s collaborations between Budd Boetticher (director) and Randolph Scott (actor), as well as some other folks like Burt Kennedy (screenwriter). Generally, I’m only really into Westerns if they are set in outer space, but these films have been an epiphany. Working on modest budgets, they have some of the leanest, meanest filmmaking I’ve ever seen. Every film was utterly different, and as I worked through the set, each new movie competed to be my favorite. (There was only one stinker, the undercooked Comanche Station from 1960.) However, Decision at Sundown resonated to my core. This past year, I had a couple of experiences, which I won’t recount here, that gave me pause to reexamine my life and my outlook on it. It was the ending of Decision at Sundown, which brought this all into focus for me. I’ve heard people make arguments that cinema can be a form of life, and I’ve never really read Deleuze close enough to even weigh in on what those texts meant, but Decision at Sundown gave me a second life. I’m thankful for this.

My favorite so-bad-it’s-good film was Ninja Hunter (1984), a Taiwanese action film. It’s a pointless exercise to try and explain the plot, but I saw a film that creatively figured out how to represent a finger – like a single-digit, or max, two-digit – fighting style. The training sequences in this film, it is safe to say, there is nothing quite like them. I busted my pinky a month ago, and now I’ve got at least a couple of months ahead of me of recovery and attempting to get the finger right again. I love playing my PS5, Mordhau, the DS series, but I’ve had to pause due to my busted hand. The point is, Ninja Hunter with its deadly finger fighting, made me nostalgic for the days of working hands again. Trust me, though, even if your fingers work, this movie takes “finger bang-bang” to delirious new heights.

Pandora and the Flying Dutchman (1951), starring Ava Gardner and James Mason, was the movie that surprised me. Going into it, I thought I would get some standard romance, but I received something utterly different. A supernatural love/ghost story in golden technicolor, it felt like something Edgar Allen Poe would have penned if he’d written screenplays for Hollywood. Haunting and narratively complex, I almost didn’t watch it, but I noticed a friend scored it highly on Letterboxd, and I figured why not. I’m so glad I gave it a watch, and you should too.

My final two picks for January are animations. The first is Red Hot Riding Hood, by Tex Avery. I am confident I saw this somewhere as a young child – but I clearly should have paid more attention to it. It’s lewd, offensive, progressive, self-reflexive, and indeed a masterpiece. The other animation was Heavy Metal, which who knows how many times I’ve seen this, but picked up the 4k UHD of it. I wish the film were brighter, but the UHD still looked good, and I was happy to see that they had a stereo mix for the soundtrack. I am irritated at Disney’s new 4k release of Snow White and the Seven Dwarfs (1937), which only includes 5.1+ whatever-mixes. Please stop being idiots, Disney, and put out Snow White with the original mono mix.

Those are my thoughts for January, and here’s hoping I’m motivated to post again in February.

New Bag

About 15 years ago, my brother gave me the bag on the right side of this picture. He’d had it for about five years and did an upgrade. I didn’t have much money then and was using my old laptop bag, and I was so thankful when he gave me his old side satchel. I instantly fell in love with it, as it had many pockets and compartments. It amazes me that the old bag lasted 20-some years. When it came into my possession, I used it almost daily. I traversed the country and even the world multiple times with it. The only period I didn’t use it was during the lockdowns. This year, it finally started to give out, and I had to replace it. The new bag arrived yesterday, and I hope it is as good as the last because I voided the warranty on it by puncturing its waterproof material on the flap with pins that lived on my old bag.

New Bag
New Bag (L), Old Bag (R)

Anki: The Path to Super Saiyan Memory

Anki is an Open-source flashcard application, with desktop and mobile versions, and a sync state function between devices. The idea is simply to outsource physical flashcards into an application which then automates “spaced repetition”. The purported result is better memorization in less active time studying.

Spaced repetition with forgetting curves

The flashcard process goes like this: Attempt to get it right, then award yourself a fail, where you put it back in today’s pile, or give it a pass, where you put it forward a certain number of days. If this is the first time you’re seeing this card, it might only go forward 1 day. But, given that you succeed with recall next time you see the card, you’ll send it forward the previous interval times 2.5. This continues the next time you encounter the card, inflating the interval each time (today I just sent one 1.5 years into the future).  You can adjust that down by marking it “Hard” or forward by marking it “Easy”. Fail the card and it all starts again. I do buy into this process well enough. I can’t tell you how much time and effort I’ve wasted in college going over stuff I already know and got fatigued/bored by the time I get to the stuff I actually need reminding.

I’ve used Anki for a bunch of years now, but let’s get to that in a minute. Even though I’ve used it for a while, I recently expanded my usage due to reading an article about it, which I can’t even find now. Many articles say stuff like “Superpower” in the title. There’s a ton of hype online when people think about the possibilities of nearly effortlessly learning random things like all the bones in the human body or every last street name in San Francisco. Sure. But, the article did make me think that I can memorize more things I care about, like Linux/Vim/tmux commands. Perhaps going for an augmented memory at age 45 doesn’t show great timing. Or, perhaps, it shows perfect timing.

I first started using Anki closer to a decade ago while trying to brush up on and maintain some of my Chinese character knowledge. You can find shared decks made by others, so I went ahead and looked up one for the 3000 most common characters. Easy-peasy, right? It actually turned out to be a disaster.

The problems were 2-fold. First, and you’ll see this posted everywhere as a critique and caveat of Anki, is that Anki is not a learning platform. It’s just flashcards, a way to solidify learned content into memory. Contrast this with some of the language learning apps, which present content contextually if not just in some sort of explanatory way. Once understood, then flashcards are appropriate.

Next, whoever made the Chinese character decks I used (and now use) clearly has no expertise in learning or teaching Chinese. Whoever made the decks clearly took lists of Chinese characters and made 2 cards for each: one for character recognition and one for character recall. Character recall is the problem here, because simply putting the single-syllable romanized “word” isn’t enough to differentiate it from perhaps many other characters with the same sound.

I could go on about this, but it recalls something Tim once noted to me about Wikipedia’s problem. It’s a great and valuable tool for being free, but it’s often written by non-experts and therefore contains a good deal of inaccurate or imprecise info. Fortunately for me, I am someone who happens to have some expertise in Chinese language learning. I was able to just add context to the single-syllable “words” in the character recall decks. The upside to Anki not being a specially-curated enterprise app is you can always edit decks as you see fit.

What all this has to do with my previous post should be pretty clear. I promised my minimal effort plan to learn and retain the a bunch of historical sword morphology, but I had to explain Anki a bit first. Next post, I’ll go over creating an Anki deck for the Oakeshott Typology.

The Oakeshott Typology

To understate it: I’m a sword guy. Always have been. Thinking as far back as I can, I can’t quite put a finger on where it first started. He-Man, the LEGO Castle set 6080, and The Legend of Zelda being obvious suspects. Suffice it to say I’m into swords and things sword-adjacent. The typical course of a thinking adult sword-admirer is to learn a little more about their historical existence. An inevitable stop in this journey is learning about the Oakeshott Typology of medieval European swords.

a bunch of swords
Continue reading The Oakeshott Typology

Plexamp

Roughly one year ago, I wrote some thoughts about music.1 Shortly thereafter, I finally paid for PLex Pass. I had asked Mike and Tom if it was decent and they seemed a bit on the fence; if I didn’t have a big Plex collection, it probably wasn’t worth. I broke down and bought the lifetime version to fix some annoyance I was having.2

Little did I know, Plex Pass gives you access to Plexamp, a music playing app. Plexamp plays music files in your Plex library and will stream to your phone if you are away from home. It has some nice features like per output device EQ and nice metadata display, if you are into that. But otherwise, seems like just another music app. Big deal.

The killer feature though is the sonic analysis. This takes forever on a big library, but once it’s done, Plexamp can ‘autoplay’ music in your library keeping to a similar genre or sound. It’s much like any of the algorithmic playlist features on Spotify and the like, but it’s for your music. It also enables rotating playlists made up of a few similar artists, so you always something kind of fresh. Obviously, on small libraries, this probably isn’t that great, but on mine (around 1700 albums), it’s pretty cool. If you have a Tidal subscription, there are certain autoplay lists that will also mix in music that you don’t have in your collection.

The other great feature is that it can cast from your Plex server to other endpoints, like Airplay, Sonos speakers, or other Plexamp installs. I have a raspberry pi headphone setup running Plexamp by the couch. I can play music from the server to the pi, while using my phone as a remote browser. It’s pretty reliable and seamless.

I highly recommend Plexamp for the few of us who still have large music libraries. I’ve tried a bunch of different apps on the phone that all have some nice features, but Plexamp seems like the most comprehensive and polished of them if you are willing to break away from the Apple Music paradigm. While I still use Apple Music (quite a lot actually), Plexamp is pretty low commitment since it uses a server as the hub. A server I’m already running.3 It also stacks up quite nicely against apps like Roon. Roon does have some attractive features but it also has a MASSIVE price. I’ve played around with the demo and am not really tempted.

It’s weird to me that Plex is sinking money into this niche app while at the same time slowly ruining their mainstream app by pushing weird social sharing shit and live TV, features that no one wants. But here we are.


  1. Time for my yearly blog post, the one I write during vacation around the holidays. I’m 3 days early this year, as the last two years I posted on 12/23. 
  2. Software subscriptions really annoy me. I almost always buy the ‘lifetime’ version if I can. 
  3. I have Plex pointed to the same location where my Apple Music library resides, so no files are duplicated.